Nabintou diakite biography for kids
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Oumou Sangaré(b. 1968, Mali)
Wassoulou musical style, Fulani culture
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Though born in Bamako in February 1968, Oumou Sangaré is a native of the Wassoulou region, a lush green area of southern Mali on the border with Guinea. Musically this is a very rich area, considered the cradle of the finest voices in the country. Oumou Sangaré, a Peul, is not a member of the Griot caste.
"In Wassoulou tradition, it is usually the men who dance and the women who sing at ceremonies. My mother did so, and my grandmother was something of a star. They sang at weddings and baptisms, and I learned their art when I accompanied them."
She joined the Djoliba percussion ensemble in 1986, leaving Mali for the first time on a tour that took her to France, Germany and the West Indies. On her return, she embarked on a solo career, but still went on singing at weddings and baptisms.
"Like all woman performers in Africa, I had a lot of difficulty at the beginning. It isn't easy for them to direct a group of men. But I wasn't disheartened, because making music is the thing I hold dearest."
In 1989, producer Ahmadou Ba G
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Oumou Sangare
From the heart of the African continent, Mali’s regal six-foot proto-feminist Oumou Sangare unabashedly propels the past into the future by performing authentic music from her Peul/Wassoulou heritage. The strategy? Sangare spares no concert from lyrics that pour a subversive pedagogy into the unworldly ears of young women. Ever since her debut recording, Moussolou —“Women" (World Circuit/Rounder Records), Sangare has been singing songs of revolt against the abuses euphemistically referred to as customs: arranged marriages (the translation of Ko Sira , Sangare’s second CD), servitude as a wife, womanizing, polygamy, and the sale of brides for “ten kola nuts,” known as Worotan , the title of her new release.
In concert, against the backdrop of a band wearing ochre bogolan (mud dyed) garments, Sangare is festooned in handcrafted clay, ebony and beaded necklaces. She wears yards of shimmering damasks over pants scalloped and embroidered at the hem. Ululations trilling, the vocalist issues advisories about the dangers of anger, macho big shots, the suffering of the poor, and the irresponsibility of abandoning the land—the labor it demands—or even one’s country. In full throated blues style, Sangare improvises transitions between songs. They come out as gre
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Ramata Diakité
Malian musician
For the African basketball participant, see Ramata Diakité (basketball).
Ramata "Rah" Diakité (Madina Diansa, Wassoulou, 1976 - Burkina Faso Oct 30, 2009) was a Malian Wassoulou musician.[1] She was interpretation cousin chastisement Tata Diakité, who along with died young.[2]
Life and origins
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