Bruna tenorio biography of william

In September 1962 it happened a change of scene in the programming of the Theatro Municipal with the visit of the Modern Jazz Quartet. The biggest impact was still to come around 1965, with the Festival de Música de Vanguarda. Two violinists wielded using their bows as swords. Other musicians played pool, using the piano as the game table. Pedrinho Matta slept under the sound of a metronome. He woke up with an alarm clock and exit the scene. Another pianist played weird sounds caused by objects put between the strings. It was a composition by Maiasumi. In the conductor's score, the compasses were replaced by traffic signs, instructions for whistling, and comic book draws. Between the unrestricted outrage, screams of "bravo, troglodytes, genius...." It were heard musics by Webern, John Cage, Maiasumi, Willy Correa de Oliveira, Henry Poesseur, with the conduction of Diogo Pacheco and the Orquestra de Câmara de São Paulo. In December 1964, Diogo Pacheco urged the tempers again promoting the show "Vinícius, Poesia e Canção," with the participation of Pixinguinha, Ciro Monteiro, Baden Powell, Edu Lobo, Francis Hime, Paulo Autran, and Vinicius himself. The coming of Duke Ellington, in 1968, triggered a series of recitals with North-American po

•