Richard young viola biography examples
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Violinist Shmuel Ashkenasi
and
Violist Richard Young
of the
Vermeer Quartet
A Conversation with Bruce Duffie
This is one of the few conversations I have had with more than one guest. Two members of the Vermeer Quartet, founder and first violinist Shmuel Ashkenasi, and violist Richard Young, came to my home-studio in June of 1989. Happily, it was a true conversation, with the ideas flowing back and forth among all three of us. So rather than just going back-and-forth, watch the indications of who is speaking.
Note that the second violinist shown above, Mathias Tacke, joined the ensemble in 1992, so the discussion on this webpage makes references to Pierre Menard, who can be seen on the left in the LP cover-photo below. Continuing toward the right in the photo are Shmuel, Richard, and Marc.
While setting up for the interview, the talk was about the instruments, and specifically the technical needs of the bows . . . . . . . . .
Bruce Duffie: How often do bows have to be re-haired?
Shmuel Ashkenasi: It depends on the hair, and it depends on the player. If you use the same bow all the time, probably just once a month, or once in six weeks. I use more tha
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American Viola Works
CDR053
American Viola Works
George Rochberg: Sonata for Viola and Piano (1979) (20:24)
I. Allegro Moderato (10:11
II. Adagio Lamentoso (7:06)
III. Fantasia: Epilogue (2:58)
Frederick Jacobi:
Fantasy for Viola and Piano (1941) (9:47)
Alan Shulman:
Theme and Variations (1940) (14:02)
Quincy Porter:
Speed Etude (1948) (2:21)
Lowell Liebermann: Sonata for Viola and Piano (1984) (25:23)
I. Allegro Moderato (8:53)
II. Andante (8:57)
III. Recitativo (7:24)
Cathy Basrak, viola
William Koehler, piano (4, 7-9) & Robert Koenig, piano (1-3, 5, 6)
Program Notescompiled by Cathy Basrak
George Rochberg (b. 1918) studied composition at the Mannes School of Music and the Curtis Institute. In 1948, he joined the faculty at Curtis, then taught at the University of Pennsylvania, retiring in 1983 as Annenberg Professor of the Humanities Emeritus. His many honors include a 1950 American Academy in Rome Fellowship and a 1952 George Gershwin Memorial Award. Rochberg's Third String quartet (1971) signaled a departure from his earlier serial works, and his subsequent pieces display a highly expressive, romantic character. Brigham Young University and the American Viola Society commiss