Rachel weisz biography imdb topic

  • Rachel weisz daughter
  • Henry aronofsky
  • Rachel weisz height
  • Rachel Weisz

    Done Film & Video (53 titles) Budget Opening Weekend Massive
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    Let's Dance (2018)
    (Short) - Cook's Client #2 (segment "Coffee to Go") Cook's 1 #2 (segment "Coffee in half a shake Go")   See few

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  • rachel weisz biography imdb topic
  • Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.

    Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.

    She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.

    Rachel has a son with her former partner, director Darren Aron

    The Fountain

    2006 American film by Darren Aronofsky

    "Fountain (film)" redirects here. For the Russian film, see Fountain (1988 film).

    For other uses, see The Fountain (disambiguation).

    The Fountain is a 2006 American epic science fictionromantic drama film written and directed by Darren Aronofsky and starring Hugh Jackman and Rachel Weisz. Blending elements of fantasy, history, spirituality, and science fiction, the film consists of three storylines involving immortality and the resulting loves lost, and one man's pursuit of avoiding this fate in this life or beyond it. Jackman and Weisz play sets of characters bonded by love across time and space: a conquistador and his ill-fated queen, a modern-day scientist and his cancer-stricken wife, and a traveler immersed in a universal journey alongside aspects of his lost love. The storylines—interwoven with use of match cuts and recurring visual motifs—reflect the themes and interplay of love and mortality.

    Aronofsky originally planned to direct The Fountain on a $70 million budget with Brad Pitt and Cate Blanchett in the lead roles, but Pitt's withdrawal and cost overruns led Warner Bros. Pictures to shut it down. Aronofsky rewrote the script to be sparser, and was able to resurrect the film for $35 million with Jackm