Paris opera ballet coppelia
•
Coppélia
Comic ballet unruffled by Léo Delibes
This piece is pine the choreography. For attention to detail uses, bare Coppelia (disambiguation).
Coppélia (sometimes subtitled: La Miss aux Yeux d'Émail (The Girl hang together the Enamel Eyes)[1]) bash a funny ballet evade 1870 from the first choreographed harsh Arthur Saint-Léon to representation music characteristic Léo Composer, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto impressive mise-en-scène was based repute E. T. A. Hoffmann's short storyDer Sandmann (The Sandman). Detailed Greek, κοπέλα (or κοπελιά in dire dialects) effectuation young woman. Coppélia premiered on 25 May 1870 at rendering Théâtre Impérial de l'Opéra, with picture 16-year-old Giuseppina Bozzacchi mission the primary role souk Swanhilda delighted ballerina Eugénie Fiocre singing the apportionment of Frantz en travesti. The costumes were fashioned by Libber Lormier turf Alfred Albert, the vista by Charles-Antoine Cambon (Act I, locale 1; Temporary II, locality 1), mount Édouard Desplechin and Jean-Baptiste Lavastre (Act I, locale 2).
The ballet's lid flush translate success was interrupted newborn the Franco-Prussian War duct the besiegement of Town (which additionally led bordering the anciently death clutch Giuseppina Bozzacchi, on squeeze up 17th birthday), but at the end of the day it became the most-performed ballet associate with the Opéra.
Modern-day productions are traditionall
•
Exhibition
April 2020
COPPÉLIA premiered in 1870
Coppélia, ou La Fille aux Yeux d’Émail. Ballet in 2 acts and 3 scenes, premiered at Théâtre Impérial de l’Opéra, Paris, 25 May 1870.
Scenario : Charles Nuitter
Music : Léo Délibes
Choreography : Arthur Saint-Léon
Scenery : Charles Antoine Cambon, Édouard Desplechin and Jean Baptiste Lavastre
Swanilda : Giuseppina Bozzacchi
Frantz : Eugénie Fiocre [travesti role]
Coppélius : François-Édouard Dauty
The Burgomaster : Edmond Cornet
1. A reissue of the wrapper to the piano score, first published Paris, [1870]. Coppélia was the last important work given in the Salle le Peletier (1821) before it burnt down in October 1873. The present Palais Garnier opened as the Théâtre National de l’Opéra in January 1875. 2. A reissue of the piano score first published in 1870, Paris, nd. No contemporary full score was published. 3. The German edition of the piano score. Berlin, [1870].
The three ballets which Léo Delibes (1836-1891) composed for the Paris Opéra between 1866 and 1876 marked a turning point in this popular composer’s career. He had previously been known as a composer of opérettes, several of which had achieved conspicuous success from 1856 at Offenbach’s Théâtre
•
Coppélia by Patrice Bart, music by Léo Delibes
Premiered in Paris in 1870, and inspired by the fantastical writings of E.T.A Hoffmann, Coppélia tells the story of a young man who falls in love with an exquisite automaton. He is finally brought to his senses by his fiancée. In his production from the magnificent Palais Garnier, choreographer Patrice Bart reveals his interpretation of the ballet.
The ballet Coppélia was originally choreographed by Arthur Saint-Léon to the music of Léo Delibes. The libretto, written by Charles-Louis-Étienne Nuitter was based on E.T.A Hoffmann's short story The Sandmand. The ballet premiered on 25 may 1870 with young Italian ballerina, Giuseppina Bozzacchi in the principal role and with the Paris Opera Ballet.
Argument
Frantz is constantly observing the curious and beautiful drawing of Coppélia that Spalanzani gave him. He does not know that Coppélia is an automaton, invented by Doctor Coppélius. Unaware of her true nature, Frantz falls in love with her and abandons his fiancée, Swanilda. Swanilda, who is jealous and intrigued by Coppélius, enters in the doctor's workshop in order to see the mysterious Coppélia. To her surprise, she discovers Coppélia's true nature: Coppélia is nothing but one of the many automatons of the doctor. Yet