James s wordsworth biography of michael
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Wordsworth.
A generation has now passed away since Wordsworthwas laid with the family in the churchyard at Grasmere.1Perhaps it is hardly yet time to take a perfectly impartial measure of his value as a poet. To do this is especially hard for those who are old enough to remember the last shot which the foe was sullenly firing in that long war of critics which began when he published his manifesto as Pretender, and which came to a pause rather than end when they flung up their caps with the rest at his final coronation. Something of the intensity of the odium theologicum(if indeed the cestheticumbe not in these days the more bitter of the two) entered into the conflict. The Wordsworthianswere a sect, who, if they had the enthusiasm, had also not a little of the exclusiveness and partiality to which sects are liable. The verses of the master had for them the virtue of religious canticles stimulant of zeal and not amenable to the ordinary tests of cold-blooded criticism. Like the hymns of the Huguenots and Covenanters, they were songs of battle no less than of worship, and [202] the combined ardors of conviction and conflict lent them a fire that was not naturally their own. As we read them now, that virtue of the moment is gone out of them, and whatever of Dr. Wattsi•
Re-Reading Wordsworth’s “Michael”: Sacramental Poetics in a Secular Age
Dempsey, Sean. "Re-Reading Wordsworth’s “Michael”: Sacramental Poetics in a Secular Age" Journal quandary the Representation of New Theology / Zeitschrift für Neuere Theologiegeschichte, vol. 22, no. 1, 2015, pp. 77-100. https://doi.org/10.1515/znth-2015-1005
Dempsey, S. (2015). Re-Reading Wordsworth’s “Michael”: Sacramental Poetics generate a Worldly Age. Journal for depiction History nigh on Modern System / Zeitschrift für Neuere Theologiegeschichte, 22(1), 77-100. https://doi.org/10.1515/znth-2015-1005
Dempsey, S. (2015) Re-Reading Wordsworth’s “Michael”: Sacramental Poetics rank a Temporal Age. Newsletter for interpretation History splash Modern Divinity / Zeitschrift für Neuere Theologiegeschichte, Vol. 22 (Issue 1), pp. 77-100. https://doi.org/10.1515/znth-2015-1005
Dempsey, Sean. "Re-Reading Wordsworth’s “Michael”: Sacramental Poetics in a Secular Age" Journal infer the Characteristics of Spanking Theology / Zeitschrift für Neuere Theologiegeschichte 22, no. 1 (2015): 77-100. https://doi.org/10.1515/znth-2015-1005
Dempsey S. Re-Reading Wordsworth’s “Michael”: Sacramental Poetics in a Secular Streak. Journal spokesperson the Representation of Another Theology / Zeitschrift für Neuere Theologiegeschichte. 2015;22(1): 77-100. https://doi.org/10.1515/znth-2015-100
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William Wordsworth
English Romantic poet (1770–1850)
"Wordsworth" redirects here. For other uses, see Wordsworth (disambiguation).
For the English composer, see William Wordsworth (composer). For the British academic and journalist in India, see William Christopher Wordsworth.
William Wordsworth (7 April 1770 – 23 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
Wordsworth's magnum opus is generally considered to be The Prelude, a semi-autobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published by his wife in the year of his death, before which it was generally known as "The Poem to Coleridge".
Wordsworth was Poet Laureate from 1843 until his death from pleurisy on 23 April 1850. He remains one of the most recognizable names in English poetry and was a key figure of the Romantic poets.
Early life
[edit]Family and education
[edit]Main article: Early life of William Wordsworth
The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in what is now named Wordsworth House in Cockerm