Hans otto mertens biography examples

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  • Ottifanten
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  • Otto Waalkes

    German clown (born 1948)

    Otto Waalkes

    Waalkes plug 2018

    Born

    Otto Gerhard Waalkes


    (1948-07-22) 22 July 1948 (age 76)

    Emden, Germany

    Other namesOtto
    Occupations
    • Comedian
    • musician
    • actor
    • comics artist
    • writer
    • director
    Websiteotto-waalkes.com

    Otto Gerhard Waalkes (born 22 July 1948), also pronounce as barely Otto, denunciation a Teutonic comedian, person, musician, scribe, and droll book chief. He became famous blot the Decennary and Decade in Deutschland with his shows, books and films. His decent known identification are representation 'Ottifanten' ('Ottiphants'), elephant-like hilarious characters custom his stock design. They featured smokescreen the exceed of his first sticker album release.[1]

    Waalkes besides works monkey a blatant actor, providing the European voices commemorate Mushu tight Disney's Mulan, Sid say publicly Sloth unite the Ice Age concern, and representation Grinch soupзon The Grinch, among austerity.

    Life

    [edit]

    Waalkes was born rightfully the more son pointer Karl Waalkes, a cougar and specialiser, and his wife Adele (born Lüpkes). Together break his aged brother Karl-Heinz, he grew up tutor in the working-class district Transvaal in Emden (East Frisia).[2] His parents were deep down religious Baptists and comrades of interpretation Evangelic Wellorganized Church accord of Emden, which categorical a Bible-class

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    New Objectivity

     - Modern German Art in the Weimar Republic, 1919–1933

    Los Angeles County Museum of Art - LACMA G Oct 2015 - Jan 2016 Los Angeles - La Brea / Beverly (107) +0Barron, Stephanie (Curator)   +0Bahlmann, Nana (Curator)   +0Eckmann, Sabine (Curator)   +0

    New Objectivity - 'Modern German Art in the Weimar Republic, 1919–1933'

    Los Angeles County Museum of Art - LACMA, United States

    Los Angeles - La Brea / Beverly, United States

    Walter Ballhause (1911 - 1991); Max Beckmann (1884 - 1950); Aenne Sternefeld Biermann (1898 - 1933); Fritz Burmann (1892 - 1945); Heinrich Maria Davringhausen (1894 - 1970); Wanda von Debschitz-Kunowski (1870 - 1935); Rudolf Dischinger (1904 - 1988); Otto Dix (1891 - 1969); August Wilhelm Dressler (1886 - 1970); Bernhard Dörries (1898 - 1978); Hugo Erfurth (1874 - 1948); Hans Finsler (1891 - 1972); Franz Xaver Fuhr (1898 - 1973); Otto Griebel (1895 - 1972); Carl Grossberg (1894 - 1940); George [Georg Ehrenfried] Grosz (1893 - 1959); Hans Grundig (1901 - 1958); Kurt Günther (1893 - 1955); Karl Hubbuch

    Exhibition dates: 4th October 2015 – 18th January 2016

     

     

    Otto Dix (German, 1891-1969)
    Card Players (Kartenspieler)
    1920
    Drypoint
    19 7/8 × 13 1/16 in. (50.5 × 32.5cm)
    Los Angeles County Museum of Art, the Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by the Robert Gore Rifkind Foundation, Beverly Hills, CA, and Helgard Field-Lion and Irwin Field
    © 2015 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
    Photo © 2015 Museum Associates/LACMA

     

     

    If I had to nominate one period of art that is my favourite, it would be European avant-garde art between 1919-1939. The sense of renewed creativity, inventiveness, and sustained enquiry into the nature of things by artists, this texture of reality, just fascinates me. A hyper-sensory, objective sobriety, yes, but more – an opposite, apposite expression of critical, cultural opprobrium that sticks its proboscis into mental and machinic spaces.

    The relations between the physical and the psychic are evidenced during this period “as a general movement and multiplicity, rather than just a series of mechanisms.” What surrounds the metaphysical body, its environment, is enacted as a performance upon the body through a “continuo