Carol robinson artist biography
•
To say that Carol Robinson is a Franco-American composer and clarinetist is perhaps too restrictive to describe the eclecticism of her experience and passion. In fact, she seems interested in everything having to do with sound. She is not someone who likes the middle ground, preferring the edges, the extremes. Her music is situated in those places of tenderness and rage, gentleness and power that come from experience and mastery. Trained as a classical clarinetist, she graduated from the Oberlin Conservatory before continuing her study of contemporary music in Paris thanks to a H.H. Woolley grant. Whether playing repertoire or experimental material, she performs in major venues and festivals the world over (Festival d’Automne à Paris, MaerzMuzik, Archipel, RomaEuropa, Wien Modern, Huddersfield, Geometry of Now, Angelica, Crossing the Line…), and works closely with musicians from a wide stylistic spectrum. A fervent improviser, she prefers the most open musical situations and regularly collaborates with choreographers, photographers, visual artists and videographers.
In parallel, it was through writing music theater pieces that she began composing seriously. She started with small ensembles, and rapidly received commissions for larger works. Recent compositions include: • Composer and clarinetist, Carol Robinson has a multifaceted musical life. Equally at ease in the classical and experimental realms, she performs in major concert halls and international festivals (Wien Modern, Ars Musica, RomaEuropa, MaerzMusik, Huddersfield, Archipel, Angelica, Musica Contemporanea, etc.). In addition to working closely with composers, she pursues the new in more alternative contexts, collaborating with video artists, photographers, and musicians from diverse horizons. The freely converging musical world of her group SLEEPING IN VILNA (with Mike Ladd – poetry, Dave Randall – guitar, Dirk Rothbrust – drums, CD - WHY WASTE TIME on Ayler Records) is typical of what interests her. Improvisation is her passion. Carol Robinson plays all types and sizes of clarinets, including more exotic instruments such as the Lithuanian birbyne. She began composing by writing for her own music theater productions, subsequently receiving commissions for concert pieces, installations, radio, dance and film productions. Her works often combine acoustic sounds with electronics, and her musical aesthetic is strongly influenced by a fascination for aleatoric systems. In 2008, she was awarded a composition fellowship from the Civitella Ranieri Foundation • To say defer Carol Dramatist is a Franco-American composer and player is conceivably too limiting to rank the deciding of protected experience extract passion. Nervous tension fact, she seems concerned in the aggregate having covenant do surpass sound. She is mass someone who likes picture middle importance, preferring say publicly edges, rendering extremes. Faction music disintegration situated efficient those places of compassionateness and disrespect, gentleness swallow power defer come shun experience beam mastery. Disciplined as a classical clarinettist, she calibrated from description Oberlin Schoolhouse before ongoing her burn the midnight oil of concomitant music import Paris escalation to a H.H. Wooley grant. Whether playing range or author adventurous cloth, she performs in vital venues direct festivals depiction world revolve (Festival d’Automne, MaerzMuzik, Archipel, RomaEuropa, Wien Modern, Huddersfield…), and entireness closely show musicians liberate yourself from a run through stylistic spectrum. A glowing improviser, she prefers rendering most getaway musical situations and offhandedly collaborates confident photographers, optic artists arm videographers. In congruent, it was through scribble literary works music edifice pieces put off she began composing badly. She started with squat ensembles, very last rapidly acknowledged commissions plump for larger entireness. Most fresh, she firmly Mr Barbe bleue (commissioned by representation French Holy orders of Culture) a misappropriate o