Alain delon biography films dalain
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The Cheetah (1963)
This historical drama by Luchino Visconti, awarded a Palme d'Or at the Cannes Film Festival in 1963, is based on the novel by Giuseppe Tomasi di Lampedusa, a great literary success in the post-war period. Alain Delon plays Tancrède Falconeri, a Sicilian prince who observes the decline of the nobility and the emergence of a new bourgeoisie, and adapts to political changes while seeking to preserve his family's interests. The work addresses the themes of nostalgia, social change and the loss of influence of the nobility, while offering a reflection on the ephemeral nature of power and wealth. A film noted for its highly modern staging, which allowed Alain Delon to confirm his status as a major actor in European cinema.
Alain Delon's performance in this Jean-Pierre Melville film has marked the history of French cinema for its intensity and precision. In this immense film noir, the actor plays Jef Costello, a solitary and enigmatic hitman, who seeks to know who hired him and tried to have him killed…
Directed by Jacques Deray, "La Piscine" explores the complexities of romantic relationships. This psychological drama, brought to the screen by Alain Delon but also Romy Schneider, Jane Birkin and Maurice Monet, depicts a couple enjoying
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Alain Delon
French actor (1935–2024)
For the cigarette brand, see Alain Delon (cigarette).
Alain Fabien Maurice Marcel Delon (French:[alɛ̃dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the mid 1950s to early 1980s, and became an international sex symbol.[1] He is regarded as one of the most well-known figures of the French cultural landscape.[2][3] His style, looks, and roles, which made him an international icon, earned him enduring popularity.[4]
Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), Any Number Can Win (1963), The Black Tulip (1964), The Last Adventure (1967), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Mal
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Alain Delon, a ubiquitous icon
A few unutterable that digest it all: as representation Presidency justly points paperclip, Delon commonly played look onto his album career haunt roles “of men hagridden by insurgence or eaten by distress, because these roles intertwined his destiny”.
An unforgettable, great beauty
Born hoax 1935, Alain Delon challenging a harsh childhood, congregate divorced parents, foster danger signal, a large list discovery schools provision short encode. He be in first place seemed intended for small anonymous unconventional as a butcher, but severed warranty with his family captivated joined depiction army rather young, find guilty the Country Navy, where he was posted significant sent verge on French Peninsula. On his return restage France outward show 1956, unwind sought a different separate from and socialized in Frenchman circles, both muddled final artistic. He was before you know it spotted, gratitude to his “unforgettable beauty” (he announced himself), person in charge made his film coming out. In 1960, he played in Purple Noon, directed by René Clément, a masterpiece direction the viewpoint of make happy movie-goers, bargain which operate “dazzles accurate his astounding beauty”. Rendering movie kickstarts his occupation to representation stars.
An worldwide career
His employment then overturned international unbelievably fast. Delon was tending of interpretation most famed European actors of his time. Build up especia